Shohin pots in the national exhibition (Zenkoku Shobachi Meisakuten) in 1980 (Showa 55). He |
received the Tokoname City Nagamitsu Ceramic Arts Prize two years in a row, in | |
1998 and 1999 (Heisei 10-11). | | | | | | |
Currently, contrary to his background in research, Hattori Tomoyuki is working as an actual |
simple craftsman. Without the swagger of some artists, he devotes himself to making pots |
that attractively display the trees while also being suitable for cultivation and ease of use. |
Hattori pots come in sizes large to small, but his main focus is the glazing of shohin pots in |
many colors. He doesn’t form his pots using a mold, and while he makes the classic shapes, |
rectangular, square, hexagonal, elliptical, round and other shapes, the varieties are abundant. |
His use of glazes also aims to use as many of the | | | | |
standard colors as possible, but his ceramics have many nooks and crannies in the corners |
and edges so that the colors change in the kiln. There are many connoisseurs who enjoy |
these unintentional effects, so they are shipped out as is. | | | |
Hattori, who shapes, glazes and fires his pots by himself is certainly one of the most prolific |
of artists. Throughout Japan, he has many admirers and his pots’ superior qualities are |
spoken of highly. One aspect of Hattor's glaze is the patina that develops very quickly adding even more interest to his pots |
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